Will Heroes Re-ignite British TV?
So you’re interested in one of the highest rating Scifi tv programmes since Lost?
Here at Scifi UK Review, we’re keeping a close eye on the series; to see how it progresses. Will it be canned halfway through, as such other delights as Farscape and I-Man were destined to be?
Heroes will be broadcast on the UK Scifi TV Channel from 19th February (a double bill of episode one and two), initially for 9 episodes, but judging by NBC’s decision to extend, it will be increased to 23 episodes!
From the creators of Lost, this explosive new drama entitled Heroes - a show about ordinary people discovering their extraordinary powers - is currently the number-one new show in America. Weekly figures are in excess of 14 million and increasing every week.
Heroes is predicted (not sure by who) to be a global phenomenon and looks set to grab the imagination of UK viewers when it premiers on the Scifi TV Channel in a few days time.
As a total eclipse casts its shadow across the globe, a genetics professor in India uncovers a secret theory – there are people with super powers living among us. Amongst these are a high school cheerleader who learns that she is totally indestructible; a gifted artist whose drug addiction enables him to paint the future; a young man who develops a way to stop time through sheer will power; and a single-mother stripper who learns that she has an alternate personality with homicidal tendencies. In Los Angeles, a jaded cop discovers that he can hear people’s thoughts, a revelation which puts him on the trail of an elusive and sadistic serial killer.
As we follow their lives week-by-week, we discover that their ultimate destiny is nothing less than saving the Earth from Armageddon.
Each blockbuster episode costs $2 million to make and is littered with CGI and special effects usually reserved for Hollywood films. The breath taking action sequences and cutting-edge drama are guaranteed to keep British viewers gripped from start to finish.
Creator Tim Kring says of the upcoming show, “We sort of made a pact internally that we weren’t going to be the show that made you wait for stuff.”
Working alongside Kring (also creator of long-running crime drama Crossing Jordan), is Damon Lindelof (Lost co-creator) and Jeph Loeb (television writing credits include Smallville and Lost, as well as writing credits for Batman and X-Men comics). With these credentials behind Heroes, there is little surprise that it has been hailed as X-Men meets Lost.
Find all articles on Scifi UK Review for Heroes.




















December 8th, 2007 at 2:55 pm
I’m sorry but I find Heroes unmitigated garbish.
There is no coherent storyline. There are too mamy characters with ridiculous special powers. For God’s sake lets have a series dealing with practacalities in the real world.
The fact that there are so many special effects does not make for good TV. These effects are easy to produce using computers.
So I’m afraid I give this series the thumbs down.
J C
February 22nd, 2008 at 2:47 am
HEROES is an amazing show, amazing storylines, great characters and it keeps me gripped every time. JC you haven’t got a bloody clue what you are talking about and it is quite obvious that you haven’t seen a half decent tv show in your entire life. I feel so sorry for you!!
July 1st, 2008 at 6:32 pm
jonjo cembo quotes “For God’s sake lets have a series dealing with practacalities (sic) in the real world”
Well, may I suggest you go and watch a documentary then, the whole point of a sci-fi series like Heroes is the sheer escapism and fantasy the subject matter covers. In fact, these ‘easy to produce’ effects are in fact the result of hours and hours of precision cutting and high production values. Is there really no funn in your life?
Oh purlease.
SPF xx
July 29th, 2008 at 6:50 pm
Heroes is a great show, the “abilities” proposed are beleivable since so much of the human brain is not used.
However, the sound track is awful and whoever composed it should be shot. There is only one piece of music that should have been even considered.
Can you guess what it is.
They should have had this music unchanged as the intro and outro theme, and had variations on parts of it (sometimes just a few bars) whenever one of the actual “Heroes” appeared at the start of the next scene. By the same token they should have had a “sinister” variation when an “anti”hero like Claire’s dad showed up (in his case the music could change to become less “sinister” as his role changed).
The music, if you haven’t guessed, is of course “Heroes” by David Bowie.